supported by 8 fans who also own “I'm here to tell you”
Bloor is one of those bands you comb through your album library for a reference point, it is many things, and to cite one would do a disservice once the next song begins. Free is a given, a repetition establishes a pattern, the pattern indicates a direction, a left is taken, somehow you are back at the point of departure. One could suggest a seatbelt. Mighttheone
supported by 7 fans who also own “I'm here to tell you”
To move to, within, the rhythm, to be moved in movement, but also in search of the signs, the flashes, we go here now. But also, within it, to stare so intently that a spot on a wall now has an origin story and a resolve, you have figured out the spot on the wall, time, where are we in reference to it, stillness and movement, with or against. Here. Or. Mighttheone
supported by 7 fans who also own “I'm here to tell you”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt